{"id":798,"date":"2017-11-13T14:26:51","date_gmt":"2017-11-13T22:26:51","guid":{"rendered":"http:\/\/research.ecuad.ca\/s3dcentre\/?p=798"},"modified":"2018-11-01T11:11:48","modified_gmt":"2018-11-01T18:11:48","slug":"reverb-a-mixed-reality-dance-performance","status":"publish","type":"post","link":"https:\/\/research.ecuad.ca\/bgml\/2017\/11\/13\/reverb-a-mixed-reality-dance-performance\/","title":{"rendered":"Re:Verb a Mixed Reality Dance Performance"},"content":{"rendered":"<p><strong>Pepper&#8217;s Ghost New Media &amp; Performing Arts Collective presents:<\/strong><\/p>\n<p><strong>Re:Verb &#8211; a Mixed Reality Dance Performance<\/strong><\/p>\n<p>Inspired by the poem, \u201cStealing Flowers\u201d by Julie Peters, and brought to life with dancer Alejandra Caballero, the choreography by Olivia C. Davies seeks to express the nuances of love and loss with an affirmation of hope. A parallel story unfolds in a virtual environment reflecting the poetic words and the dancers\u2019 movements. Using motion capture, speech analysis, and game engine technologies, the performance emerges as two interacting realities.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pepper&#8217;s Ghost New Media &amp; Performing Arts Collective presents: Re:Verb &#8211; a Mixed Reality Dance Performance Inspired by the poem, \u201cStealing Flowers\u201d by Julie Peters, and brought to life with dancer Alejandra Caballero, the choreography by Olivia C. Davies seeks to express the nuances of love and loss with an affirmation of hope. A parallel [&hellip;]<\/p>\n","protected":false},"author":50,"featured_media":799,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,22,37,38],"tags":[],"class_list":["post-798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collaboration","category-events","category-mixed-reality","category-performance"],"_links":{"self":[{"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/posts\/798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/users\/50"}],"replies":[{"embeddable":true,"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/comments?post=798"}],"version-history":[{"count":0,"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/posts\/798\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/media\/799"}],"wp:attachment":[{"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/media?parent=798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/categories?post=798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.ecuad.ca\/bgml\/wp-json\/wp\/v2\/tags?post=798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}